Subscribe With his sense for mixing eroticism with art-house, his productions are stunning to look at; but at the same time, his fixation on foregoing conventional narrative structures and focusing often entirely on silent, dialogue-free surreal imagery and slow, languid dreamlike sequences can also make his films exercises in boredom.
I mean, I am totally disinterested in females.
The House That Dripped Blood! Lust for a Vampire 1971 Remember this is not a Top 10 of the Most Intelligent Movies Of All Time and, yes, that final song is embarrassing, but when you immerse yourself in a movie marathon with scores of films featuring beautifully shot — but often slow moving — dream scenes, then every once in a while you need a stupid but entertaining Hammer production to keep you awake.